The subject matter of Buddhist paintings mainly consists of two broad categories: images of buddhas and bodhisattvas; and stories from the scriptures, especially those relating to Sakyamuni Buddha. Early Chinese Buddhist painting was characterized by exact delineation and enriched colors, and was intended to provide rich embellishment and create an air of sanctity in the temples. During the Tang dynasty, however, a new style characterized by the freehand brushwork pioneered by Wang Wei came into vogue, and since then has continued to have a strong influence on Buddhist art.