An Avatamsaka World of Wisdom -  Buddhist Art from Beijing Capital Museum

Tibetan Buddhist
Tibetan Buddhist StatueThangkaRitual Implement

Buddhism first came to central Tibet from India in the early seventh century AD. After taking on a uniquely Tibetan character over the course of centuries, it eventually spread throughout the Tibetan cultural sphere as well as Mongolia. The main features of Tibetan Buddhism are the dual practice of esoteric and exoteric teachings; an equal emphasis given to study and practice; the use of complex rituals; and a plethora of religious imagery.

Tibetan Buddhist Statue

The dazzling statues of Tibetan Buddhism are characterized by a wide variety of subject matter, complex form, and precision workmanship. These exquisite images give ample expression to the artistic genius and religious aspirations of both Tibet and Mongolia, as well as their long-term artistic contact with China.

Thangka

One of the most distinctive forms of Tibetan art is the thangka, wall hangings produced in different styles with various techniques in a variety of color schemes. In addition to Buddhist themes, the subject matter of thangkas includes Tibetan history, astronomy, geography, medicine, and auspicious designs, illustrating that this uniquely Tibetan form of artwork also served as a sort of encyclopedia of Tibetan history and culture.

Ritual Implement

Buddhist ritual implements include a wide range of items: the paraphernalia on the altar; the appurtenances used in prayer, worship, ceremonies, and spiritual practice; and all the artwork and decorations found in a temple. The ritual implements of Tibetan Buddhism are especially numerous and diverse. In addition to their religious functions, these ritual implements have rich cultural significance and aesthetic value.

An Avatamsaka World of Wisdom -  Buddhist Art from Beijing Capital Museum
Origin of the Exhibit A brief chronology of Buddhist art Chinese Buddhist Tibetan Buddhist
Museum of World Religions 10th Anniversary
中文
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